Darkness and Light: Two Paths to Sorrow The use of descriptive view in Nathaniel Hawthorne’s short story, “ materialisation Goodman brown” and the metrical composition, “Patterns”, by Amy Lowell, is extremely vivid. At first scan it places as though the descriptive scenery in to each one is completely antonym to the other, but a closer relish reveals subtle similarities. “ schoolboyish Goodman chocolate-brown” is a phantasm rumor that leaves you with a consciousness of evil and fear by using terminology such as dreary, darkened, gloomy and sorrow. The forest through which teenaged Goodman Brown is traveling is dark, almost formless by his reading with changes in the landscape so subtle, it is almost dreamlike. The reader is leave to wonderment if the tale ends up being just that; a dream. demolition is also a theme with the end of the tale mark by the gloom of his dying hour and dark description of the corpse. The forest is old and so ar the companions. Young Goodman Brown’s dead father and grandfather are brought into the story, beckoning him to descend their footsteps in the tradition of witchcraft or cod worship. At two different points you charm the impression by the mention of “pink ribbons” that his wife, Faith, is in great danger.

The “pink ribbons”, signifying commit and duty are the only mention of bright food colour in the story. Finally, the entire story takes place at night, in a foreboding forest, hidden under the cover of darkness. By contr ast, “Patterns”, is multicolour! ed with colorful imagery. Brightness and beauty, light and youth appear to be themes in this poem. Initially, the descriptive imagery used here makes the poem seem frivolous and silly. The author focuses much of her attendance on her fashionable dress and “ribboned shoes”. She takes sequence to see in detail the garden through which she walks implying that she spends a bunch of time there. The apparent innocence of the purpose of her time...If you want to get a full essay, order it on our website:
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